“Columbus” is a coherent allegory for contemporary youth’s anomie, isolation and disaffection with itself and its latent (half-hearted) rejection of this directionless state.
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There is still, someplace in my mind’s archive of vague motifs gathered from entertainment, this anachronistic idea of universities forcing students to cultivate
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Perhaps anything really lovely is never left without the concomitant boringness poachers of beauty train themselves to withstand. Placed squarely before beauty’s blushing
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