Interview with a Playwright: Lily Padilla
The theater can seem like a world unto itself; as the lights drop and curtains pull back, it is all too easy to
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Theater
Play Review: “(w)holeness”
Four emotionally-damaged sex addicts, an eternally absent psychologist, an intern way too in over her head and a recreation center room — it
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Play Review: “Spring Awakening”
The premise might seem patently absurd: 19th-century German teens get embroiled in a salad-toss of sex, latin discourse, wet dreams, abuse and atheism.
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The Making of Muir Musical
Each year, Muir Musical starts from scratch: a new director, a new show and another set of auditions. Work begins early in the
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Play Review: “Picasso at the Lapin Agile”
Steve Martin’s first full-length play, originally performed in 1993, is undergoing a revival at The Old Globe. The show, while undeniably entertaining and
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Sights and Sounds: Guardian’s Guide to San Diego’s Music, Theater and Film
With decent access to public transportation and car services, UCSD students have a bevy of venues within their reach. Every location placates a
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The Christian Lifestyle: Theatre Etiquette
I know you did a segment on rave etiquette, but what should I keep in mind for Theatre for the movies? — Anonymous
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Play Review: “The Phantom of the Opera”
Mackintosh’s new production of “The Phantom of the Opera” turns the beloved production into a true musical spectacle. Rating: 4.5/5.0 Directed by: Laurence
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A Double Take
“Side Show” shows off enormous production values and strong music, but trips over a lackluster plot A revival of the 1997 Broadway musical
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