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A tambourine, a fart, and a promposal: Jordana at the Voodoo Room
An unlikely beacon of optimism: Fran Lebowitz at Balboa Theater
San Diego Restaurant Week: Dockside 1953
Volume 58: Issue 17
Trump’s executive orders jeopardize UCSD research funding
Letter from the Editor: The Guardian in crisis, Sign our petition to show your solidarity
Darkstar Library: A space to bond over science fiction and fantasy
Incessant headphone culture signals a collapse of social etiquette
Women’s basketball blows past Roadrunners, inches closer to Big West bye
I took my parents to MNGO Cafe: A Contreras family review
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“Babygirl”: More pleasure than substance
Thi Tran
, Contributing Writer
Jan 21, 2025
Blurring boundaries: The magic of “Queer”
Arshia Singh
, Senior Staff Writer
Jan 13, 2025
Dev Patel shines in Monkey Man
Alan Zhang
, Senior staff writer
May 19, 2024
“Dune: Part 2” is the ultimate cinematic science fiction experience
Gabbi Basa
, Staff Writer
Mar 10, 2024
“Anyone but You” delivers exactly what you would expect from a rom-com
Audree Melekyan
, Contributing writer
Jan 14, 2024
“The Hunger Games” prequel is a villain origin story done right
Bailey Bujnosek
, Senior Staff Writer
Nov 26, 2023
Finding the wolves in the picture: “Killers of the Flower Moon” review
Kamiah Johnson
, A&E Co-Editor
Nov 5, 2023
The Creator: Wide as the ocean, shallow as a pond
Kamiah Johnson
, A&E Co-Editor
Oct 8, 2023
“Are You There God? It’s Me, Margaret:” Finally Putting a Face to the Name
Katherine Tewksbury
, Contributing Writer
May 22, 2023
“The Super Mario Bros. Movie” Review: Video Game Movies Deserve Better
Hector Arrieta
, Arts & Entertainment Editor
Apr 16, 2023
Movie Review: “Puss in Boots: The Last Wish”
Jonathan Shlesinger
, Senior Staff Writer
Jan 29, 2023
Movie Review: “A Man Called Otto”
Erika Myong
, Contributing Writer
Jan 29, 2023
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