album review – The UCSD Guardian

&TEAM ignites the stage with ‘We on Fire’ mini album

Leea Caddell, Senior Staff Writer
Apr 28, 2026

‘THE SIN: VANISH’ advances ENHYPEN’s vampiric worldbuilding

Leea Caddell, Senior Staff Writer
Feb 2, 2026

Madison Beer’s ‘locket’ is the key to cementing her artistic goals

Tara Vatandoust, A&E Editorial Assistant
Jan 29, 2026

Zach Bryan delivers confessional storytelling in ‘With Heaven on Top’

Kaitlyn Lots, Senior Staff Writer
Jan 20, 2026

Lightning Round: K-pop comebacks

Leea Caddell, Senior Staff Writer
Jan 20, 2026

Rosalía’s ‘Lux’ glimmers with emotional and spiritual depth

Amrutha Ravi, Senior Staff Writer
Dec 1, 2025

5SOS dials up the angst on ‘EVERYONE’S A STAR!’

Kaitlyn Lots, Staff Writer
Nov 29, 2025

&TEAM’s Korean-debut mini album brings its global image ‘Back to Life’

Leea Caddell, Senior Staff Writer
Nov 21, 2025

Taylor Swift pulls back musical curtain on lyrically surface-level ‘The Life of a Showgirl’

Tara Vatandoust, Senior Staff Writer
Oct 6, 2025

‘Mayhem’: Gaga’s new fame monster

Lina Mauk, Senior Staff Writer
Apr 14, 2025

The Lumineers shed their foot-stomping folk energy with ‘Automatic’

Lina Mauk, Staff Writer
Feb 24, 2025

Sabrina Carpenter’s ‘Short n’ Sweet’ just got a little sweeter

Tara Vatandoust, Contributing Writer
Feb 22, 2025

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