album review – The UCSD Guardian

Poppy pays tribute to modern metal in “Negative Spaces”

Gabbi Basa, Senior Staff Writer
Nov 25, 2024

Mannequin Pussy declares independence in “I Got Heaven” with concert photo essay

Jonathan Shlesinger, A&E Co-Editor
Nov 16, 2024

“The Star Chapter: Sanctuary” marks a new era for TXT

Leea Caddell, Staff Writer
Nov 11, 2024

Aespa shines with edgy versatility in “Whiplash”

Leea Caddell, Staff Writer
Nov 9, 2024

Camila Cabello’s “C,XOXO” swings for a rebrand and manages a double

Jonathan Shlesinger, A&E Co-Editor
Oct 8, 2024

Always the Anti-Hero: “The Tortured Poets Department” Review

Kaley Chun, Senior Staff Writer
Apr 21, 2024

Coming clean: “Greg Mendez” album review

Jonathan Shlesinger, A&E Co-Editor
Feb 18, 2024

How To Love: Babygirl’s EP “Be Still My Heart”

Xuan Ly, A&E Co-Editor
Apr 30, 2023

Album Review: Girlpuppy’s “When I’m Alone”

Jonathan Shlesinger, A&E Co-Editor
Apr 23, 2023

Album(s) Review: “The Family” & “TM”

Zara Irshad, Senior Staff Writer
Nov 27, 2022

Album Review: “The Loneliest Time”

Bailey Bujnosek, Senior Staff Writer
Nov 6, 2022

Album Review: I Can’t Let Go

Jonathan Shlesinger, A&E Co-Editor
May 30, 2022

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