album review – The UCSD Guardian

Taylor Swift pulls back musical curtain on lyrically surface-level ‘The Life of a Showgirl’

Tara Vatandoust, Senior Staff Writer
Oct 6, 2025

‘Mayhem’: Gaga’s new fame monster

Lina Mauk, Senior Staff Writer
Apr 14, 2025

The Lumineers shed their foot-stomping folk energy with ‘Automatic’

Lina Mauk, Staff Writer
Feb 24, 2025

Sabrina Carpenter’s ‘Short n’ Sweet’ just got a little sweeter

Tara Vatandoust, Contributing Writer
Feb 22, 2025

Flipturn sets fire to the mundane in new album ‘Burnout Days’

Lina Mauk, Staff Writer
Feb 3, 2025

The harmonic and the demonic: The Weeknd’s new album

Anica Xie, Contributing Writer
Feb 3, 2025

Poppy pays tribute to modern metal in ‘Negative Spaces’

Gabbi Basa, Senior Staff Writer
Nov 25, 2024

Mannequin Pussy declares independence in ‘I Got Heaven’ with concert photo essay

Jonathan Shlesinger, A&E Co-Editor
Nov 16, 2024

‘The Star Chapter: Sanctuary’ marks a new era for TXT

Leea Caddell, Staff Writer
Nov 11, 2024

Aespa shines with edgy versatility in ‘Whiplash’

Leea Caddell, Staff Writer
Nov 9, 2024

Camila Cabello’s ‘C,XOXO’ swings for a rebrand and manages a double

Jonathan Shlesinger, A&E Co-Editor
Oct 8, 2024

Always the Anti-Hero: “The Tortured Poets Department” Review

Kaley Chun, Senior Staff Writer
Apr 21, 2024

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