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Sabrina Carpenter’s "Short n’ Sweet" just got a little sweeter
A tambourine, a fart, and a promposal: Jordana at the Voodoo Room
An unlikely beacon of optimism: Fran Lebowitz at Balboa Theater
San Diego Restaurant Week: Dockside 1953
Volume 58: Issue 17
Trump’s executive orders jeopardize UCSD research funding
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Darkstar Library: A space to bond over science fiction and fantasy
Incessant headphone culture signals a collapse of social etiquette
Women’s basketball blows past Roadrunners, inches closer to Big West bye
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Sabrina Carpenter’s “Short n’ Sweet” just got a little sweeter
Tara Vatandoust
, Contributing Writer
Feb 22, 2025
Flipturn sets fire to the mundane in new album “Burnout Days”
Lina Mauk
, Staff Writer
Feb 3, 2025
The harmonic and the demonic: The Weeknd’s new album
Anica Xie
, Contributing Writer
Feb 3, 2025
Poppy pays tribute to modern metal in “Negative Spaces”
Gabbi Basa
, Senior Staff Writer
Nov 25, 2024
Mannequin Pussy declares independence in “I Got Heaven” with concert photo essay
Jonathan Shlesinger
, A&E Co-Editor
Nov 16, 2024
“The Star Chapter: Sanctuary” marks a new era for TXT
Leea Caddell
, Staff Writer
Nov 11, 2024
Aespa shines with edgy versatility in “Whiplash”
Leea Caddell
, Staff Writer
Nov 9, 2024
Camila Cabello’s “C,XOXO” swings for a rebrand and manages a double
Jonathan Shlesinger
, A&E Co-Editor
Oct 8, 2024
Always the Anti-Hero: “The Tortured Poets Department” Review
Kaley Chun
, Senior Staff Writer
Apr 21, 2024
Coming clean: “Greg Mendez” album review
Jonathan Shlesinger
, Senior staff writer
Feb 18, 2024
How To Love: Babygirl’s EP “Be Still My Heart”
Xuan Ly
, Arts & Entertainment Co-Assistant Editor
Apr 30, 2023
Album Review: Girlpuppy’s “When I’m Alone”
Jonathan Shlesinger
, Senior Staff Writer
Apr 23, 2023
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