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Sabrina Carpenter’s "Short n’ Sweet" just got a little sweeter
A tambourine, a fart, and a promposal: Jordana at the Voodoo Room
An unlikely beacon of optimism: Fran Lebowitz at Balboa Theater
San Diego Restaurant Week: Dockside 1953
Volume 58: Issue 17
Trump’s executive orders jeopardize UCSD research funding
Letter from the Editor: The Guardian in crisis, Sign our petition to show your solidarity
Darkstar Library: A space to bond over science fiction and fantasy
Incessant headphone culture signals a collapse of social etiquette
Women’s basketball blows past Roadrunners, inches closer to Big West bye
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Bubbling with Excitement: Faye Webster at Humphreys Concerts By The Bay
Xuan Ly
, A&E Co-Editor
Apr 21, 2024
Concert Review: George Clanton
Hector Arrieta
, Arts & Entertainment Editor
Apr 30, 2023
Photo Review: KSDT Show – Rose Tinted Glasses & Strange Case
Hector Arrieta
, Arts & Entertainment Editor
Apr 30, 2023
Album Review: Girlpuppy’s “When I’m Alone”
Jonathan Shlesinger
, Senior Staff Writer
Apr 23, 2023
Concert Review: Runnner
Sofia Shaw
, Contributing Writer
Mar 5, 2023
Concert Review: Steve Lacy is More Than TikTok
Sarah Delima
, Senior Staff Writer
Feb 27, 2023
Essay: Are We Watching the Death of Variety in Theaters?
Fabian Garcia
May 1, 2022
Album Review: “Laurel Hell”
Bailey Bujnosek
Feb 13, 2022
Retrospective Spotlight: Zack Villere’s “Little World” Four Years Later
Hector Arrieta
Oct 3, 2021
Concert Review: Rock N’ Roosevelt 2020
Steven Zhou
Apr 5, 2020
Concert Review: Zack Villere
Erin Chun
Feb 17, 2020
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