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Sabrina Carpenter’s "Short n’ Sweet" just got a little sweeter
A tambourine, a fart, and a promposal: Jordana at the Voodoo Room
An unlikely beacon of optimism: Fran Lebowitz at Balboa Theater
San Diego Restaurant Week: Dockside 1953
Volume 58: Issue 17
Trump’s executive orders jeopardize UCSD research funding
Letter from the Editor: The Guardian in crisis, Sign our petition to show your solidarity
Darkstar Library: A space to bond over science fiction and fantasy
Incessant headphone culture signals a collapse of social etiquette
Women’s basketball blows past Roadrunners, inches closer to Big West bye
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DisReguardian: Is Lightning McQueen the GOAT? An Expert Analysis
Alan Zhang
, Staff Writer
Apr 1, 2024
TV Review: “The Mandalorian” – Season 3
Lea Vazquez
, Staff Writer
Apr 23, 2023
Essay: Live-action remakes, when will they end?
Kamiah Johnson
, Arts & Entertainment Co-Assistant Editor
Apr 23, 2023
Festival Review: PaleyFest 2023
Bailey Bujnosek
,
Lea Vazquez
, and
Kamiah Johnson
Apr 9, 2023
I Watched Every Disney Channel Holiday Special So You Don’t Have To
Rosabella Debty
Nov 27, 2022
Annabeth Chase is Black
Laila Del-Rio
, Senior Staff Writer
Oct 23, 2022
Essay: Are We Watching the Death of Variety in Theaters?
Fabian Garcia
May 1, 2022
Dear Companies, Be a Better Ally
Raymond Tran
Apr 3, 2022
Film Review: “Soul”
Marina Lee
Jan 10, 2021
Disney+, What Does That Mean for Us?
Hector Arrieta
, Arts & Entertainment Editor
Nov 28, 2019
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