Lifestyle

Tennis Outshines 'Nova Squad

The No. 16 UCSD women’s tennis team earned a huge win against Villanova University, a nonconference Division I school, by a score of 5-4, improving its overall season record to 5-3. Will Parson/Guardian Sophomore Ina Dan won her doubles match alongside senior captain Marsha Malinow, and in the No. 2 singles spot, Dan picked up an easy 6-1, 6-3 victory to lead UCSD to their 5-4 win over Villanova. The team managed to take a 2-1 lead after some determined play in the doubles matches. No. 3 doubles senior Allison Legakis and sophomore Yekaterina Milvidskaia managed to win their match with a close score of 9-7. However, No. 2 doubles junior Justine Ang Fonte and senior Christy Knudsen fell 4-8. With the match tied at one-all, No. 1 doubles seniors Marsha Malinow, the senior captain, and Ina Dan were able to put the Tritons on top as they eked out a 9-8 victory following a tiebreaker. The singles matches were equally tough and exciting. No. 2 Dan and No. 3 Fonte both had very easy matches, with Dan winning 6-1, 6-3, and Fonte completely dominating her opponent, 6-0, 6-0. Fonte was thrilled with her individual victory, as well as the team’s performance. “”I had a cream cheese,”” she said, referring to the win she had without giving up a set. “”We expected them to not be very strong and sort of paid for it in doubles. But the girls stepped it up a lot and pulled through and Tessa [Tran] closed it out for us.”” No. 5 singles sophomore Tran clinched the victory for the team, winning 6-4, 6-3. While the team did win, there were still disappointments, as the other singles players fell in straight sets. On the opposite side of the spectrum from Fonte was Malinow, who has been plagued by an abdominal strain and lost in the No. 1 spot, 3-6, 1-6. Malinow’s match disappointed her, but she was still excited about the team’s victory. “”My performance was less than what I expected, just because I could not serve at all,”” Malinow said. “”I was serving underhanded and the girl was ripping them. I was really impressed by everyone’s performance and I thought Ina and Justine were working their matches very well.”” The remaining singles losses were from No. 6 singles Legakis, who fell 5-7, 0-6, and No. 4 singles freshman Pooja Desai lost 1-6, 6-7. Head coach Liz LaPlante was very satisfied with the result. “”We had some tough doubles matches,”” she said. “”We played them two years ago, but they were much weaker. The girls they had this time were deep. It was a good match to get ready for the Sonoma State-UC Davis trip.”” The Tritons will be going up north to face conference foe Sonoma State, an opponent they already defeated 7-2 previously this season and a strong Division I team in UC Davis. For Fonte, the match against UC Davis is personal. “”I was actually offered a full ride by the coach at UC Davis but I decided to come to SD,”” she said. “”For me, it’s a test to prove that I am as good as the girls they have up there.”” Malinow seemed both anxious and excited for the trip. “”We have a deep team so there isn’t too much pressure on me,”” she said. “”It mostly comes from my mental weakness and I know that if it wasn’t for [the injury], I would be a lot more consistent right now. I’ve never played against UC Davis’ No. 1 so I really don’t know what to expect.”” ...

Recordings: Wisemen – Wisemen Approaching

As “”dead”” as the Wu-Tang legacy is declared to be, the hip-hop collective’s growing swarms of underground worker-bee offspring don’t seem to be getting the message. Latest case in point: RZA’s prodigious new “”Wu-Element”” (producer) Bronze Nazareth, who – as if the family tree hasn’t sprouted enough branches – has picked up three hitchhiking twigs off the streets of Detroit to form a fresh-faced mini-clan of his own, self-assuredly titled the Wisemen. Their mission is an admirable one, if overambitious: revive the raw, beats-rhymes-life purity of hip-hop’s golden era at the dawn of the ’90s. Yeah, right. But Nazareth is one of the most promising hands behind the new age of always-stellar Wu beats, and his most recent – in a royal march of sawing strings, chirp-cut soul samples and jumping heartbeats – are no exception. However, if these wide-eyed hopefuls want to come anywhere near the minimalist genius of the golden-age greats they so admire, they’re going to need a far better tutor – Nazareth, for all his musical prowess, goes bland and sloppy behind the mic, clumsily recycling the spiritual/militant flow and lyrical fodder of his forefathers. A student can’t surpass his master; likewise, Nazareth – whose 2006 solo debut The Great Migration showed some promise – is dragged down by amateurs, a second-grader in a first-grade classroom. Even top-notch guest listers Killah Priest, Vast Aire and GZA (crammed into the beginning of “”Associated,”” tripping over a messenger-trumpeting sonic gallop) offer no more than sloppy seconds. In this noble fight, the Wisemen may actually be digging the Wu grave that much deeper. 2 1/2 Stars ...

Triton Women Take Second at All-Cal

With many events on their schedule that include only Division I opponents, the UCSD track and field teams are often underrated and taken lightly. This past weekend, however, the Tritons enhanced UCSD’s reputation and quieted their D-I critics with a very impressive performance at the All-Cal Championships. Hosted by UC Irvine, the competition also included UC Santa Barbara, UC Riverside and UC Davis. Courtesy of Tony Solerno Junior Whitney Johnson earned two first-place finishes at the All-Cal Championships, hosted by UC Irvine on March 3, in the long jump and triple jump events with impressive distances of 19 feet, 1.5 inches and 40 feet, 4.75 inches, respectively to help her team earn second place overall. The Tritons proved their worth, with the women’s team placing second overall and the men’s finishing in third. Senior hurdler Dan Noel was extremely pleased with how his team fared against the top-division schools. “”As a team, we deserve the same level of respect, regardless of division,”” Noel said. “”Sometimes people get lost in the fallacy of Division I domination and forget that what matters is who is better prepared to compete on any given day.”” The women not only showed that they could compete with the D-I schools, but that they have the potential to beat them. All day long the women vied for the meet championship, but unfortunately came up just four points short, losing to UC Santa Barbara. Courtesy of Tony Solerno Sophomore sprinter Connor McCabe had a third-place finish with his time of 11.45 seconds in the 100-meter dash at the All-Cal Championships. The runner-up finish was no reflection on just how well the team did. The Triton women earned six first-place finishes at the meet, highlighted by two each from junior hurdler Laiah Blue and junior jumper Whitney Johnson. Blue dominated the 100- and 400-meter hurdles with times of 14.05 and 61.47 seconds, respectively. Johnson set the all-time UCSD record with her distances in both the long jump, 19 feet, 1.5 inches, and the triple jump, 40 feet, 4.75 inches. Becoming the school record holder was a thrill for Johnson, but it also came with its fair share of anxiety. “”It felt great to set those [distances],”” Johnson said. “”But it also makes me a little nervous for the rest of the season. I really want to be able to continue hitting those marks later in the season and be able to have even better marks at conference championships and nationals.”” Also receiving first-place finishes were freshman sprinter Christine Merrill in the 200 dash and senior thrower Samantha Belvini in the javelin throw. Even though all these victories were not enough to grab the meet championship, the team’s efforts will carry into the rest of its season, where more first-place finishes are expected. “”Once our team, which is a really young team, starts getting into [its] zone, we’ll start to win championships,”” Johnson said. Even though the men didn’t place as high as the women, they were able to leave the All-Cal meet with some serious hardware of their own. Junior hurdler Khalil Hooper got himself a top finish in the 110 hurdles by posting a time of 15.25 seconds. Similarly, freshman jumper Chris Yu’s distance of 21 feet, 11.75 inches in the long jump was more than enough for him to grab first place. Sophomore sprinter Connor McCabe rounded out the Tritons’ top finishes by breaking the tape in the 100 dash in 11.45 seconds, a time good enough to earn him third place. After playing in front of away crowds for the first two meets of the year, the Tritons finally get to race at home this weekend when they play host to the San Diego City Championships on March 10. At the meet, UCSD will square off against San Diego State, Point Loma Nazarene University and Cal State San Marcos. No matter how the Tritons fare at the meet, they will be guaranteed to improve their standing from last year’s city championships. The 2006 championship was held on an incredibly rainy day, which greatly affected the times of all players involved. The coaches decided not to cancel the meet, but did not announce the winner due to the altered times. With nothing but beautiful San Diego sun forecasted for March 10, the Tritons are in a great position to capture their first team championship, and will pride themselves with parading that championship in front of their home fans for the first time all season. Noel is eager for the first home meet of the season and has high expectations for his team. “”I am excited to have our first home competition,”” Noel said. “”Hopefully, the comfort of our home track will bring some big performances by both the men’s and women’s side.”” ...

Recordings: Arcade Fire – Neon Bible

From the onset of Neon Bible, with the apocalyptic guitar and stealthy drums of “”Black Mirror,”” the Arcade Fire make their new territory clear – a bleak and dogged universe where the mere act of waking up requires some bravery. The human/machine dynamic of the band’s debut was a headphone junkie’s surround-sound paradise, stacked with catchy hooks aplenty and enough lyrical depth to get at least a few midnight conversations going. In this album, we see a shift: Rather than focusing on the ties that bind, the Arcade Fire branch into a global adventure void of hope. Neon Bible takes the band’s already soaring arrangements, adding everything but bagpipes and kazoos to reach more regal heights, including a full orchestra and even a spontaneous organ solo. But the album’s problem is that it’s too epic. What made Funeral one of the best albums of 2004 was that it balanced sound: There were peaks and troughs and plateaus, all in paced subtlety. Here, nearly every song hits a point where the band feels it must prove its conviction by playing as loud as every other song, making for a worn effort in which the few songs that do tone it down – notably the title track – are all the more relieving. That’s not to say there aren’t some killer, heart-racing tracks: “”(Antichrist Television Blues)”” finds the band channeling the husky Bruce Springsteen machismo of the late 1970s while “”Keep the Car Running”” is an anthem for anyone who’s ever had to skip town. Neon Bible neither takes the Arcade Fire back into familiar doldrums, nor does it propel them into a new level of epiphany – rather, theirs is a flawed search for identity after success. 3 1/2 Stars ...

Druthers: Hiatus Picks the Week’s Best Bets

“Belle De Jour” – March 8, 7 p.m. – MCASD, $5 A few weeks ago, the Museum of Contemporary Art San Diego offered us Bunuel’s “The Discreet Charm of the Bourgeoisie” — and today it big-screens another of his classics: “Belle De Jour.” The film follows Severine (Catherine Deneuve), a bored housewife who indulges in secret desires and becomes a prostitute. Balancing her erotic fantasies with a lack of intimacy at home proves no easy task, especially when different men begin to enter her life. Bunuel balances the true struggles of sexuality with the surreal elements of the mind’s eye, never becoming condescending, but rather stepping back and letting the characters act naturally — a great film on all accounts. (CM) Eileen Myles & Ali Liebegott – March 9, 7 p.m. – D.G.Wills, La Jolla, FREE If you’ve never experienced the exuberance of UCSD’s writing series on campus, then you can get a taste on Friday when two prominent writer/professors, Eileen Myles and Ali Liebegott, will read from their newly-published books. Myles, the patron saint of razor-edge, feminist punk poetry, will be reading from “Sorry, Tree,” her new collection of poems on love and politics. Liebegott, a poet and fiction writer, will read from her critically acclaimed debut novel “The IHOP Papers,” which is filled with her signature philosophical compassion and innocent maturity set amongst all-too-real situations. Each approaches her work with curious honesty and a search for unexplored truth. (CM) ...

Contention on the Ancient Warfront

If you have a stomach for brazen sex and violence – and this movie will put many to the test – then “”300″” is a visual feast more satisfying to the warmonger inside of you than anything before or after it for many years. Never has a movie utilized so much of the screen. Every inch of every frame is such a stunning masterpiece that we can safely give cinematographer Larry Fong next year’s Oscar right now, without question. It’s that impressive. The Spartans are huge – absurdly huge. These burly goliaths, clad in Speedos and red capes, put Gov. Arnold Schwarzenegger, even in his prime, to miserable shame. Each of the 300 men have a six pack that could grind a tank to dust – that’s 1,800 packs of skull-crushing abs. The Persians just don’t stand a chance. Hundreds of thousands are slaughtered on the tips of Spartan spears before a single Greco he-man dies. Half a dozen slow-motion rampages of blood-spraying carnage help the movie play out like a graceful ballet of gruesome maiming and horrible death. After the first few waves of Persian soldiers, the Spartans busy themselves by making a wall of corpses 20 feet tall, and the unlucky enemies keep on coming. But there’s no reason to pity these lemming hordes: As in all good action flicks where untold scores of baddies must give up the Persians’ ghosts to progress the plot, their faces are covered with long scarves, scary masks or full helmets. The story is as simple as it gets: the bad guys are coming, and we’re going to stop them, no matter the odds. There is a historical basis for the story: the Persian king Xerxes’ failed campaign to conquer Greece, and the Greek play “”The Persians,”” by Aeschylus, about the cause of that defeat. But Frank Miller’s “”300″” stands alone. Many characters are entirely fictional, and even the real ones take on comic-book proportions, from a Spartan traitor who looks like Quasimodo on steroids to a godlike Xerxes, who towers several feet over the tallest Spartan. The Greek template for the story was political for its time, exemplifying a pivotal Greek victory as a showpiece for the consequences of hubris. “”300″” is no different, lacing every line of the movie’s dialogue with political bias a la the current Iraq war. When not extolling the supreme value of freedom every chance they get, Director Zack Snyder’s characters like reminding themselves of the cost of freedom with the repeated line “”freedom isn’t free,”” and parallels with the Marine invasion of Iraq are palpable when the Persian campaign of terror arrives at the Spartan doorsteps and the Spartan king Leonidas (Gerard Butler) decides to lead an elite troop of hoplites to defend their country’s freedom. But his fellow leaders disapprove of his brash actions. Sound familiar? There is even a climactic plea by the Spartan queen before an assembly of senators, begging them to send more troops. Despite the unnecessary politics, the movie doesn’t suffer because it remains true to its ultimate goal of providing its audience with an endless stream of kick-ass fight scenes and compulsory nudity. Unlike “”Gladiator,”” in which the plot drives the violence, the violence in “”300″” clearly drives the plot, and audiences seeking a serious look at war, or Greek history for that matter, should simply look elsewhere. “”300″” is really just about violence for the sake of violence, and nudity for the sake of nudity. If that’s what you’re after, then you can sit back and gorge on this visceral masterpiece. No one involved in the movie has a very exciting resume. Snyder’s only significant claim to fame was the absurd romp in zombie land that was 2004’s “”Dawn of the Dead,”” and his co-writer Kurt Johnstad has nothing but forgotten independent films under his belt. Fong’s only experience has been in television shows. But they came together to breathe amazing life into Miller’s comic. The “”300″” comic book upon which this movie-theater powerhouse is based never received much acclaim, but it’s going to leave a dent in box-office sales like few before it, and movie stills are going to litter laptop wallpapers across chemistry classes for years to come. ...