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Tragedy and triumph – The Iron Claw review
Kamiah Johnson
, A&E Co-Editor
Dec 15, 2023
“Saltburn” – Emerald Fennell’s promising young man?
Arshia Singh
, Staff writer
Dec 3, 2023
Fall quarter: embracing transition during Stick Season
Lina Mauk
, Contributing writer
Dec 3, 2023
A Christmas with Stephen King
Gabbi Basa
, Contributing writer
Dec 3, 2023
“The Hunger Games” prequel is a villain origin story done right
Bailey Bujnosek
, Senior Staff Writer
Nov 26, 2023
“My Year of Rest and Relaxation”: Living on the edges of oblivion
Jonathan Shlesinger
, Senior Staff Writer
Nov 26, 2023
24th Annual San Diego Asian Film Festival 2023
Arshia Singh
,
Erika Myong
,
Kaley Chun
,
Matthew Pham
,
Xuan Ly
, and
Kamiah Johnson
Nov 19, 2023
France, army, “Napoleon”
Kaley Chun
, Senior staff writer
Nov 19, 2023
When instruments dance: La Jolla Symphony and Chorus season opener
Yamile Peel
, Staff Writer
Nov 19, 2023
Can I talk to you for a sec? – “The Golden Bachelor” Review
Katherine Tewksbury
, Contributing writer
Nov 12, 2023
Too clean/too heavy/too Spiritbox – “The Fear of Fear” EP Review
Gabbi Basa
, Contributing writer
Nov 12, 2023
When there is light, there is also darkness: “All the Light We Cannot See” Review
Erika Myong
, Staff writer
Nov 12, 2023
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