5. “Lazaretto” by Jack White

It’s curious that despite Jack White’s near 20-year influence on the modern rock scene, it’s only the launch of his solo career that finally made him take a leap toward a full-bodied and fully backed sound. Even more curious, “Lazaretto” is less a garage rock-inspired throwback to the dirty essentials of rock, but a step even further back to the genre’s country and folk origins.

Notwithstanding some absolutely infectious guitar riffs, especially in the titular track, the album is laden with country and folk stylings as White’s sound comes to deftly incorporate violin, female-backed vocals and bluesy gospel piano.

More than anything, “Lazaretto” is a reminder why White has remained relevant so long, ever able to shift his persona. In this case, he melds his rock-god leanings with those of a charlatan and troubadour, delivering the most fun album about heartbreak in recent years.

– Dieter Joubert, Senior Staff Writer